WOMEN’S CRAFT. CRAFTSWOMEN IN ALBANIA IN THE TWENTIETH CENTURY
Abstract
The history and development of crafts in Albania and the many values inherited from the past speaks of high craftsmanship, their "individuality", their talent and their creative imagination. Natural heritage is completely inseparable from cultural heritage. This feature is also evident in the handicrafts made by women and girls whose creativity has been done at home. Making costumes for herself, clothing for husband, kids, home furnishings, etc. From the impressive wealth of today's handicraft products, it is not easy to choose. However, from this take, we will highlight the most prominent ones, which are often exhibited in museums.
Is female crafts part of this sphere of work where women are forgotten?
The statement that women entered the labor force from the war of 1914-18 is one of the rarely-dying myths. It is still regularly used in television documentaries. However, recent historiography has shown the whole void of this bias. It affirms the claim that women have always worked (Schweitzer, 2002). The question is not to show that women work, and it has been a long time they do so, but to clarify a well-meaning activity. This finding sometimes extends to all small independent businesses, including handicrafts. Closely related to these issues is cultural identity, which also by definition assumes different connotations, usually accompanied by other geographical, spatial and mental notions, such as region, locality, or ethnicity.
Keywords: socio-cultural and historical factors, female handicrafts, artistry and female artwork.
References
Lajçi Bashkim, Albanological Folklore and Ethnology Traces 41 / 42,2011,2012 p.32
According to surveys conducted in the Tours and Bordeaux business registers of the 1930s and 1950s.
The trade register is the register where all artisans have to be registered since 1936. It is the equivalent of the trade register artwork and associations (created in 1920).
Agim Bido, Popular Art in Clothing and Textiles ″ 1991, pg.142
Abdelmajid Arrif, The Paradox of the Construction of the Patrimonial Event in a Colonial Situation. The Moroccan Case, Review of the Muslim West and the Mediterranean, 73-74, 3-4, 1994: 153.
Cédric PERRIN, Shteti dhe Zejtarët në Francë (1938-1970), Komiteti i Historisë Ekonomike dhe Financiare, në vijim 2005.
Downloads
Published
How to Cite
Issue
Section
License
Declaration/Copyright transfer:
1. In consideration of the undertaking set out in paragraph 2, and upon acceptance by ANGLISTICUM for publication of the manuscript in the Journal, I/We hereby assign and transfer publication rights to ANGLISTICUM, whereas I/We retain the copyright for the manuscript. This assignment provides ANGLISTICUM the sole right and responsibility to publish the manuscript in its printed and online version, and/or in other media formats.
2. In consideration of this assignment, ANGLISTICUM hereby undertakes to prepare and publish the manuscript in the Journal, subject only to its right to refuse publication if there is a breach of the Author’s warranty in paragraph 4 or if there are other reasonable grounds.
3. Editors and the editorial board of ANGLISTICUM are empowered to make such editorial changes as may be necessary to make the Manuscript suitable for publication.
4. I/We hereby acknowledge that: (a) The manuscript submitted is an original work and that I/We participated in the work substantively and thus I/We hereby are prepared to take public responsibility for the work; (b) I/We hereby have seen and approved the manuscript as submitted and that the manuscript has not either been published, submitted or considered for publication elsewhere; (c) The text, illustration, and any other materials included in the manuscript do not infringe upon any existing copyright or other rights of anyone.
5. I/We hereby indemnify ANGLISTICUM and the respective Editors of the Journal as mentioned in paragraph 3, and hold them harmless from any loss, expense or damage occasioned by a claim or suit by a third party for copyright infringement, or any suit arising out of any breach of the foregoing warranties as a result of publication of the manuscript.