MUKIMI’S SOURCE OF LYRICS AND COMPARATIVE ANALYSIS

Kuldash Pardaev

Abstract


To investigate the poets’ work of our classic literature, you must first collect the literary heritage left by them, as well as identify options and such versions near this. In the past, some artists took care of their fate and collected them.  A special place in the history of our literature is the literary heritage of the creators of the Kokand literary environment of the late XIX - early XX centuries. Unfortunately, the great poet of this era, works of Muhammad Aminkhoja Mukimi (1850-1903), was not created in the “Devon” order.   However, at the beginning of the 20th century, a collection of poems was published under the name Devon (1907, 1910, 1912, 1913). However, all four of these collections were not organized in accordance with the requirements of the “Devon”. Therefore, these collections can be viewed not as “Devon”, but as a collection of poems. The manuscript sources of the creativity of Muhammad Aminkhoja Mukimi, the creator of  the Kokand literary heritage at the end of the 19th and early 20th centuries, kept in  manuscript funds of  Uzbekistan, were classified and analyzed in this article. Autograph bayazes (bayoz) written by Mukimi’s hand were studied and commented about the genre and themes of the poet's works. The newly discovered works of Mukimi are important for studying of the poet’s worldview, attitudes towards social reality, the literary and aesthetic world.

Keywords:  bayaz, manuscript, autograph, literary environment, poet, complex, gazelle, mukhammas (muxammas), letter, past, version, genre, publication.


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References


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DOI: http://dx.doi.org/10.0001/ijllis.v8i10.1978

DOI (PDF): http://dx.doi.org/10.0001/ijllis.v8i10.1978.g2397

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