THE DISSOLUTION AND REBUILDING OF THE IMAGE
Abstract
When the director comes into contact with the text of a dramatic work he "crashes" or is confronted with the image created by it. Somewhere this image attracts him, kidnaps him, likes him, and somewhere else he seeks to get away from him, to be alienated and alienated, rerising on the original image, his directorial image, which is of a different sort. That’s why the same text is viewed differently from different directors. This is a little more important when the time of putting the same text on stage also changes.Downloads
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