Reference Literature as Bank of Human Resisted Treasury
Abstract
In novels The Streets of Hell and The Hell is Broken, continues to show the Visar Zhiti without having time to remember, following the show, the outline of the present without sacrificing its neutrality. The trend is not seized by copyright, avoids the inventor fantasies, feeling safe in the factuality and its documentary. The purpose of this study is the identification of realistic features in his texts, which sprouted inside the purgatory hell, surrounded by barbed wire, because reveal common truths, and prove the author's exquisite eye for the human being in its tragic. Not being a visitor but resident, where life is wounded, manages to reveal a deeply hidden man, shadows of Plato’s shadows, the beauty of soul human dignity that is not blemished. Specific real situations and real life human translated into its own system of the literary marker, dream and emerge as a threat, when a man massacre his moment, to steal the past. The image which embraces not lacking detail and real gesture called a witness and not as a figure, thus creating the real figure. These type of action as the world undo makers, targeted at home and in Shkodra, where they formed (as asserted itself), as enable the recognition and discovery of oneself as being constrained within its bark or chestnut bark barbed. It appeared common concrete life, truth, beauty unified with. The paper contributes to the history of literature and poetics.
Keywords: demonstration, neutrality, truth, beauty, image.
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