IDEAS AND DIFFERENT ARTISTIC POSITION
Abstract
Artists use social media as tool for carving their creative ideas. Conceptual art is reflection and analytics in society or in the art system and is based on special procedures in artistic creation, while the artist introducing the visual language promotes his views as a general consideration. The art which speaks at this level is an instrument conscious of the historical associates, which makes it look full of things that raises emotions that require appreciation, an art that does not address the transfigured metaphysical conscience but investigates the conditions of earthly existence and therefore provokes to look at things in a new way. The concept of art is formulated at the time and place where it is lived, as a result of the special intensity for contemporary philosophy and art, new ways of reflecting on this reality we live with intensity are required. Art history as the most original tension of language through an external reality, pre-taught in a simple chronicle, but rather in a variety of meaningful events, becomes the divide between many types of art. Personal stories and experiences that are actually the stories and experiences of others gain metavisual reflection. Art is used not only to pose a problem to art itself but also to the art system, meaning the world. A non-marvelous description of the "global" scene in the troubles with the developed world will put many creative creators virtually anywhere between the ecstasy of catastrophe and terror; given their contexts: ethnic, religious, linguistic, temperamental, neurotic.
Keywords: Art, Conceptual, Reflected, Reality, Global.
Downloads
Published
How to Cite
Issue
Section
License
Declaration/Copyright transfer:
1. In consideration of the undertaking set out in paragraph 2, and upon acceptance by ANGLISTICUM for publication of the manuscript in the Journal, I/We hereby assign and transfer publication rights to ANGLISTICUM, whereas I/We retain the copyright for the manuscript. This assignment provides ANGLISTICUM the sole right and responsibility to publish the manuscript in its printed and online version, and/or in other media formats.
2. In consideration of this assignment, ANGLISTICUM hereby undertakes to prepare and publish the manuscript in the Journal, subject only to its right to refuse publication if there is a breach of the Author’s warranty in paragraph 4 or if there are other reasonable grounds.
3. Editors and the editorial board of ANGLISTICUM are empowered to make such editorial changes as may be necessary to make the Manuscript suitable for publication.
4. I/We hereby acknowledge that: (a) The manuscript submitted is an original work and that I/We participated in the work substantively and thus I/We hereby are prepared to take public responsibility for the work; (b) I/We hereby have seen and approved the manuscript as submitted and that the manuscript has not either been published, submitted or considered for publication elsewhere; (c) The text, illustration, and any other materials included in the manuscript do not infringe upon any existing copyright or other rights of anyone.
5. I/We hereby indemnify ANGLISTICUM and the respective Editors of the Journal as mentioned in paragraph 3, and hold them harmless from any loss, expense or damage occasioned by a claim or suit by a third party for copyright infringement, or any suit arising out of any breach of the foregoing warranties as a result of publication of the manuscript.
